TikTok expats prefer RedNote to connect with Chinese Xiaohongshu users

American High School Student Venus Rios Makes Waves on Chinese Social Media Platform Xiaohongshu

American high school student Venus Rios recently caught the attention of Chinese netizens when she reached out on Xiaohongshu, a popular Chinese social media platform. Rios, hailing from the U.S., offered to help with English homework, leading to a flood of nearly 2,000 comments in just one day.

Rios is part of a wave of “TikTok refugees” who have shifted their focus to Xiaohongshu following calls from TikTok influencers to migrate due to U.S. government restrictions on the app. With the pending decision from the U.S. Supreme Court on TikTok’s future, Xiaohongshu has become a hotspot for these displaced users.

Renamed “RedNote” by TikTokers, Xiaohongshu is witnessing a surge in American users, challenging the platform’s usual Chinese-centric approach. Despite its popularity among Chinese users, Xiaohongshu has made little effort to attract an international audience, maintaining strict adherence to Beijing’s censorship regulations.

The influx of American users has sparked cultural exchanges and dialogues on various topics, bridging the gap between Chinese and American internet cultures. However, this sudden growth presents challenges for Xiaohongshu as it navigates between expanding globally and complying with Chinese censorship laws.

As Xiaohongshu grapples with its growing American user base, industry experts debate its future international strategy and potential challenges. User preferences will ultimately shape the platform’s direction, as it decides how to balance global expansion with Chinese regulatory requirements.

Regardless of the uncertainties ahead, American users like Rios continue to explore Xiaohongshu, leveraging its algorithms to connect with like-minded Chinese users. The platform’s evolving dynamics reflect the changing landscape of digital interactions between nations, hinting at a more integrated future for global social media ecosystems.

Back to top